ONLINE ONE-OFF Karl Broodhagen Print AUCTION:
Karl Broodhagen reproduction print of painting. 'The Dominican Costume' is a profile portrait of a woman in traditional costume, (unconfirmed, thought possibly to be his wife)
History and journey of the 'The Dominican Costume' print. The print by the Bajan artist Karl Broodhagen, eminent sculptor who created the famous Bussa emancipation statue in Barbados was gifted to Vincent Gray, a British Sculptor.
Karl Broodhagen works have been displayed prominently in Barbados, United States, Canada and Europe.
The print: ‘The Dominican Costume’ with permission of Karl’s son, Virgil Broodhagen who is a painter in own right agreed the donation of the print to auction on this website of Black Lives Matter,
Virgil Broodhagen, son of Karl Broodhagen speaks about his father's work of the the 50th Broodhagen Exhibition
Unframed: Print. Measures: 48cm x 63.50cms - Click image to enlarge
MS Foundry had a global reputation for casting monumental works. Morris Singer Foundry still exist today in a scaled down operation. Website
His most famous works are three public statues in Barbados: The Bussa Emancipation Statue, a statue of Prime Minister Grantley Herbert Adams, and a statue of cricketer Garfield Sobers.
Born in Georgetown, Guyana, Broodhagen moved to Barbados at the age of 15 to become a tailor's apprentice. While working as a tailor, he began to paint in the 1930s and to sculpt a decade later. He established the art department at Barbados Combermere School in 1947; after studying at Goldsmiths College in London in the early 1950s, he returned to Barbados and taught at the school until 1996.
In addition to his public statues, Broodhagen primarily created portraits and busts; he described the focus of his work as being "interested in people". He particularly focused on women and stated in an interview that he sought "to replace the European standards of beauty still slavishly accepted in the West Indies by standards based on the local inhabitants themselves."
His works have toured internationally and are included in UNESCO's collections, and he was awarded the Gold Crown of Merit in 1982.
He died at home in 2002, aged 93.
Interview Feb 5, 2015
Karl Broodhagen was a pioneering Barbadian artist who changed the face of international art in Barbados forever. Until the late 1950's Barbados was relatively closed to international art. However, thanks to Karl Broodhagen, and artists like him, the Barbados art scene started to open its doors to outside influences.
Born in Guyana in 1909, Broodhagen was in his teens when he came to Barbados with his mother. Broodhagen initially worked as a successful tailor, and this role initiated his deep understanding of the human form, which would later manifest itself in his work as a sculptor. Broodhagen started sculpting, painting and creating, focusing on individuals' characters. It is his realistic portrayal of each individual that makes his work so engaging.
He found his idea of beauty in people of colour, many of his models had braided hair, pouty lips and big eyes and these themes were often picked up through his work. But his art was equally about beauty beneath the surface. As writer and artist Christopher Cozier extrapolates, "Busts like those of social worker and philanthropist John Beckles or Dame Nita Barrow....were clearly about the power of the individual voice and the individual presence in the social space." Broodhagen's work dots the Barbadian landscape, but his most famous work forms a major landmark in Barbados. Nicknamed "Bussa" by Barbadians, the famous slave who inspired a revolt against slavery in Barbados in 1816, this statue towers in an attitude of sudden freedom. Officially named "Slave in Revolt", it was unveiled at St Barnabas, St Michael in 1985 to commemorate the 150th anniversary of slave emancipation in the British colonies. He has also sculpted busts of other famous Barbadians such as Dame Nita Barrow, Prince Cave and Sir Grantley Adams. Some have criticised the last as his head is seemingly disproportionately large and he's slightly stooped, but the artist simply said, that's how we knew him.
He was drawing the individual exactly how he was. Up until the 1970's and perhaps beyond, the status of an artist in Barbados was constantly fluctuating; it was surrounded by an atmosphere of anxiety on the artist's part. On the one hand they were national heroes because they often had political and social messages behind their art, it often contained narratives of heritage and the island, and they become known overseas. On the other they were in constant fear of foreign influences and being seen as primitive by the outside world. They were frightened for their reputations.
The decades during the middle of the twentieth century were a time of big change and uncertainty. All this was irrelevant to Broodhagen. Born in 1909, he had seen so much and had such strength of character that it passed him by as a storm out to sea. But this artist had seen many storms. His political and social influences originated from a time before Barbados attained full national self-awareness. He was working in a time recovering from slavery, colonial and class discrimination, a time when personal individuality had been fought for and in name won, but the transition was very gradual. This environment simply encouraged him in his quest for personal individualism. Karl Broodhagen stands out not only as a talented sculptor and artist, but also as a champion for the individual. He was an important leader and teacher.
The Barbados Museum and Historical Society is a non-profit organization established in 1933.
Its origins are as a community museum, forming through the civic care of the natural history collection of a St. Lucy rector and the efforts of antiquarian and genealogist Eustace Shilstone to provide public access to the island’s history.
The mandate of the museum is to collect, document and conserve evidence of Barbados’ cultural, historical and environmental heritage; and to interpret and present this evidence for all sectors of society. In addition to the seven permanent collection galleries, the museum currently integrates community interest in its exhibition programming and project development.
Reproduction print of an original painting.
HISTORY OF PRINT
This print was originally given to Vincent Gray directly by Karl Broodhagen in the 90s. Vincent Gray, is a British talented Sculptor, and had previously worked with the late Karl Broodhagen, as well as his son Virgil Broodhagen.
Following approval from Virgil Broodhagen, Vincent decided to support the Black Lives Matter cause and gifted this print for auction.
This piece of art holds sentimental value and serves as a reminder of the artistic friendship between Gray and Broodhagen. Your participation in this auction will contribute towards a meaningful anti-racism project in the UK.
Initial bidding *price is set at £50.
*Undisclosed reserved price is set. - Reserve price must be met before the print can be sold and released to the highest bidder.
Winning bid will be notified and required to pay £7.50 P&P charge on top of bid for print to be delivered to a UK address only
Vincent Gray info of Black Lives Matter site
Title: Dominican Costume
The metal pieces shown top of the portrait provide a visual reference for the print's true size.
Feel free to click on the image to see it in enlarged detail.
Print Size
Dimensions: 19 inches x 25 inches, equivalent to 48cm x 63.50cm.
Auction Ending Date: The auction is set to close at the end of August 2025. However, it may be extended or concluded early if the reserved price is not met.
We believe in a world where everyone belongs, and we reject all types and forms of racism that stands in the way.
MAKE THAT STAND WITH US
ZERO TOLERANCE TO RACISM
•••►If you notice a problem or a broken link that is not actively working, appreciate if you let us now!
If you support our cause, this web platform and appreciate our content and would like to contribute to the upkeep and running of the website so we may continue to keep Black Lives Matter awareness alive that serves ad helps to educate, to eliminate finding ways to eradicate racism click the donate contribution button below.
© Copyright includes text, graphic images displayed on this web-platform may be copyrighted. All rights reserved.
Logo below is a Registered ® ™ Trademark © Copyright belongs to: BLACKLIVESMATTER.UK & BLM LICENSING
Contact us anytime, by simply clicking the email icon anytime, day or night.
The impact of racism never has a day off or rests easy...
We are listening and committed to dismantling effects of racism. Never STOP talking about racism while it thrives, wherever it live and exists in societies we co-exists.